Change–Going The Distance

I don’t like change very much. I cried every time I tried to finish the song,“The Distance.” It’s a song about my son growing up and out of the house. It took me 5 years, really, to put the final lines together and then let it go, move on. Planted on my padded piano bench, my hands gently pressing into the chords, I would sing the first few words in the verse:

The sun sets as we drive the Trace

I’ll never forget this side of your face

It’s not the same as it was, so much has changed since I met you.

My heart would immediately connect with the image in my head: my young teenage son and me driving together on the Natchez Trace, a winding, scenic roadway close to our home. Although it stretches from Nashville, Tennessee to Tupelo, Mississippi, there’s a short section that connects a friend’s house to ours.

the Natchez Trace bridge in Nashville Tennessee

Way back then, Julian and I were crossing the lovely Natchez Trace Bridge which spans a yawning valley. The sky was sunset orange. In the glow to my right, I saw that my son was a young man in transformation. Soon, he would be in the driver’s seat and I would be the passenger. Not long after that, he wouldn’t need me at his side at all. The road before us began to stretch out in ways that my heart didn’t want to face.

Julian had already changed so much in the fourteen years I’d known him. But I knew there was more change to come. For that reason, whenever I sat at my piano determined to finish the song, the words got stuck in my throat.

Transatlanticism

In the awkward silences of Julian’s early teenage years, music was our connection. What kept us talking was our love of the melody and lyrics. A great song can really go the distance, keep its impact despite the flow of time all around it.

In the car, we’d sing along with our favorite songs, working out the harmonies and talking about the lyrics. One particular song by the group, Death Cab For Cutie, was a puzzle to both of us. What did “Transatlanticism” mean? What deeper message was hidden in the song’s images?

Part of its attractiveness was its mystery, the blank spaces left for us to fill. Somehow, it was a bridge in the growing gap between mother and son. It helped me to forge ahead with finishing, “The Distance.”

Change:young Julian DenteWe can’t always connect what’s between us now

And these silent stretches are longer somehow

We turn the music way up loud

And wonder what the song’s about

And the music spans the distance

It’s our transatlanticism

Love and Letting Go

As my son became a man, I finally finished and recorded my song about change and going the distance. Julian writes and records his own music now. He drives his own roads and goes places far from where we first traveled together. His songs keep me and the whole family talking. We all love the chord changes he chooses and sometimes we embarrass him with our enthusiasm.

Thankfully, I can say that I’m glad he has grown up and gone on without me. It’s good when sons—and songs—grow up and move on. He certainly comes back to visit and keeps me up to date on his latest favorite songs. The music he’s making is all his own yet has hints of his beginnings, links that connect him to home.

change: going the distance

Yeah, we always go together now

But I know what I know, soon I’ll slow you down

The time will come when I can’t keep up

And you’ll go on without me

Whether in small increments or large sweeps, change is a guarantee. How I traverse it is key.

Julian has a lovely wife and a son of his own now. I am learning to live with the distance that makes for a great relationship; mothers and sons are complicated! I am still listening closely to every lyric he writes and wondering what the song’s about. But I don’t have to figure it all out anymore or even assign meaning to every little bump in the road.

Trying to enjoy this ride we call life, I can see the mystery as attractive rather than scary. Find the beauty, deal with the impermanence, and go the distance with change. I’ll finish one song so I can move on to write the next one, connecting the changes in a chain of love and letting go.

Now we’re staring at that last bridge

And it feels like the Atlantic

Let the music span the distance

Read more about this and other songs in my book, Lifelines and the article, “Animal House!”

Listen to “The Distance” song and 9 others in A Little Light Left.

Thanks for listening and for going the distance with me.

Full lyric for “The Distance”

change: going the distance

Making Connections, Not Projections

making connections

Walking with my daughter, Carina, on a lakeside trail recently, I happened upon an epiphany:

I project when I don’t connect.

What I mean is, I create mental projections on the wall of my imagination if I do not have real-life interactions and conversations.

Like when a friend has not called me in a month, I might picture all the ways in which I have probably offended her. Another example is how I will tell myself a tale of rejection to make sense of an unanswered message I’ve sent with the sincerest of emoticons.

By creating a movie on the screen in my head, I can come up with all kinds of fictions explaining why someone hasn’t called, texted, emailed, “liked,” or otherwise given me a thumbs-up to acknowledge our relationship. When real-life conversations have fallen away, my brain works overtime to fill in the blanks.

making connections not projections

For instance, while side-by-side with Carina on the trail, I was explaining to her how I had been feeling disconnected from my brother who lives in another state. I admitted to her that I hadn’t called him because it was clearly his turn to call me. Way past his turn, actually, because I had been doing all of the connecting in the past year or so it seemed. I felt a bit hurt and had listed in my head all of the ways in which I deserved better.

Also, I had projected on the broad screen of my skull a colorful parade of the reasons he’d been neglecting, avoiding, and even rejecting me. I had come up with some scary scenarios and worst-case worries.

Maybe some of my mental projections were true. My feelings were definitely real. But I had gone too far. You see, I had left the mainland where the wires and synapses fire at the sound of human voices. I had crossed over to the island of extended imagination where weak signals send scrambled messages at best.

staying connected

My phantom brother, in that far-off country without communication, had become a flickering kind of figure. Like Princess Leia’s holographic image projected from inside R2D2, he was trapped like an apparition in my memory. I could only tell myself stories about what was going on between us for I did not have the facts.

“Carina,” I said, “I finally just decided to call the guy, whether it was his turn or not.”

I had pressed the green icon on my smartphone. When he answered, I told him immediately what I’d been thinking and feeling. My throat got a little choked. He said, “wow, you got to that pretty fast.”

I did. We talked for a long while. He told me about how busy he’s been with his job and family. We laughed about some of the tales I’d been telling myself.

Thank God for smart phones with good connections. When we pressed our red icons good-bye, I felt so much better. I remembered my little brother. The kid he was and the man I love. There’s nothing like an honest conversation for dispelling hallucinations.

With Carina it’s easy. Together on the path, we connect before there’s a chance to project. With others I love, there’s just more distance to cover. It can be done though. All it takes is making connections.

Henceforth, I will remember this lesson: don’t project–connect!

Instead of playing old movies on my wobbly mental screen, I’ll shut off the projector and use that modern machine. Just press green.

 

Get Busy Living

My husband and I are supposed to go out with friends tonight.

The restaurant will be crowded.

We will stand cramped in the doorway for half an hour waiting for a table.

We will be a group of shouting people from start to finish, trying to arch our words across the din and dinner.

Chunky wooden tables surrounded by thick-legged chairs that stall and stutter along the sticky floor will control our bodies and conversation.

The food will be heavy. I will eat enough to weigh me down for a day or two.

I will have snippets of connection with the 2 people closest to me on my tiny island in a sea of sound. The drinks will mix their muddling into the evening about one hour in.

Soon after, the laughter and leaning-in to catch the bouncing chatter around the rectangular table will wear me out. I will begin to stare as if in trance, missing the person’s words on which I am trying to focus.

Later tonight, I will fall into bed, my ears ringing, my mind whirling with everything said.


Why would I want to subject myself to this situation?

I could decline and say, “some other time.”

But I don’t, we won’t. Why not?

Well, because they are our people.

Meeting at a place.

Eating, drinking, relating, connecting.

It’s what we do.

If we didn’t, we’d be dead.

As my husband just said, life is flying by. Life is happening now.

At our age, or maybe any age, it’s almost over all the time.

Some other time is not a given.

So better get busy living.

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