Closer to Free

finding finding freedom: woman floating down a river

“Finding Freedom To Be”

I remember the day I became a slave to my face.    old polaroid christine finding freedom

I was nine and taking some visiting kids on a tour of my elementary school. I don’t remember the occasion. All I know is that a teacher chose responsible me to lead and I was up for the job. At the end of the quick trip around the school, I stopped the small group of kids about my age outside the cafeteria.

“Any questions,” I asked.

“Yeah,” said the closest boy, “are you a boy or a girl?”

I was mortified. His question knocked me off-balance, challenging how I saw myself. And how others saw me. So began my journey of asking mirrors to tell me who I was and who I should be.

Old Polaroids

To solidify my new bondage to image, the series of shocking photos came next:

  • school pictures featuring my incongruous teeth and hair which reared their ugly heads year after year
  • the snapshot of my belly bulging in its bikini sandwich
  • the polaroid my dad took where I felt so beautiful in my pink night gown, only to disappoint again as my image materialized as not-so-pretty me

I struggled with my complexion for most of my life. Hormones and stress were my enemies. Even in my thirties and forties I leaned into mirrors, picking at the blemishes embedded in my skin. “Not better, only redder” was my ineffective mantra.

Getting older has its advantages: fifty-something skin and less stress have freed me from some of my mirror-gazing slavery.

Deeper Than the Skin

But the freedom I’m seeking is deeper than the skin. It’s farther in where heart meets soul.

Freedom from judgements: my own and those of others.

Freedom to be the real me is the center I seek.

I taste that freedom whenever I’m untethered to my image or my productivity or my critics. No lackey to fashion, no vassal of shame. No bondage to beauty as defined by me and my culture.

To me, real freedom feels like sliding along a river, body buoyant, no friction in the flow. Crank the self-conscious volume knob back to zero, I’m on a roll.

Recreation

Have you ever tried to recreate yourself? I tried once in college.

In the fall of 1982, I drove to Carnegie-Mellon University, 5 hours away from home for the first time in my life. I thought about becoming whomever I wanted to be. No one in this college town would know if I was naturally sassy or sweet, gregarious or aloof. I could present myself as the person I chose to be.

Trouble is, it is hard to stray from who we are at heart. I tried to gather my energies and garner new friends by behaving like a party girl, carefree and easy. But I didn’t have her in me. I couldn’t stick to the part and stay late in my party clothes. I just wanted to go home.

Free People

I recently wrote a song called, “Closer to Free.” The initial inspiration came as I perused the Free People clothing catalogue. At first, I thought it funny that a company would make such a statement about a line of clothing. Those hippie-esque styles in strange layers and pairings said, “be adventurous and creative and don’t worry if it doesn’t match.” The wispy indifferent models propped in languid poses declared, “we wear what we want wherever we dare.”

finding freedom: free people

They began to draw me in, these Free People. I’ve never had much sense of style. I have always admired girls and women who seemed to throw on any old thing and make it look good. Sometimes it was their sheer confidence and caution-to-the-wind that made them so attractive. Freedom from caring about what others would think seemed to set them free to flow in their clothing and throughout their lives. Like a river.

I was hooked. Sold! to the woman in earth tones and sneakers. Maybe now my inner critic will nap because I’m wrapped in these fabulous fabrics. Oh, the glorious freedom of not giving a crap.

The Catch

But there’s a catch. It’s there, squeezed between the freeze-frames. If we stretch it out to see the real-life spaces where we live our lives, it gets a little messy. Suddenly we see the props and pins that keep it all in place for the shot. A make-up artist and a clothing wrangler rush in to fix the blemishes and slips. These clips and vignettes, I sometimes forget, are only old polaroids of curated unconcern. We are all truly, sadly, very concerned.

The Thirst

We are a thirsty people and there’s no sating. We are hungry for love and acceptance. We hide our shame and insecurity behind snapshots and complicated layers. We buy the lie of self-re-creation.

Yes, we can dress for success and wear our truth to some extent. But freedom, true freedom from what we don’t want to be, implies a freedom toward something. If I am free from my naturally fearful, insecure and angry self, than what am I free to become?

Becoming

Back to center. In pulling focus, I discover a door to another room: a place called Acceptance.

What if I believed God loves me and accepts me as I am? What if I accepted myself ‘as is’?

We are told that’s what Jesus does: “Come to me and I’ll give you rest. Yoke yourself to me.”

If I am tied side by side to Jesus, I’m free from any other slaveries. I suddenly become free to be who I am, the girl He made me to be. Being tied to Him is a burden but it’s easy and light compared to all those other slave-drivers out there. I am Becoming, what I once was, the girl in the mirror of His love. I am becoming. His love becomes me.

Every once in a while, I see through the facades of photos and mirror images. Like floating down a river, these moments of clarity, of sweet release, are the times when I know I am closer to free 

Listen to this song here!

You say you’re one of the free people

Nobody tells you how to live

You splash your face across the page

And spread yourself so thin

 

Yeah, you look like one of those free people

Embrace the world and make it spin

But even you can only take so much

Til something’s got to give

 

Come closer to free

Come know your poverty

Feel your thirst and recognize your need

Come closer to free

 

Your clothes don’t cover up the heart of you

And freedom’s deeper than the skin

You think you’re shining like a star

But we see the shape you’re in

 

Yeah you could be one of the free people

No need to re-create yourself

The beauty you want to so much comes

From being loved so well

 

Come closer to free

Come know a sweet release

Can you feel your thirst and recognize your need

Come closer to free

 

Come closer to free

Come know the love you really need

When you feel the hunger and it grows you know

You’re closer to free     You could be one of the free people

 

Every Day the Dust Comes Back

dust cover

“Finding Mercy in the Morning”

woman in frustration at dust
Every day the dust comes back. I see it first thing in a slant of sunlight. The dust has returned despite yesterday’s efforts.
Grabbing my cleaning supplies, I begin again to remove the thin film on furniture and floors. The hood over the stove is the worst. Grease mixed with the stuff of dust makes paste. It would rather smear than disappear.
I think about Sisyphus pushing boulders that in the end will crush him if he doesn’t get out of the way. Live to find futility another day. Why do I bother, knowing that the clean won’t stay?

Beaten by the Peanut Butter

It’s like being beaten by peanut butter.

 

Once, when full swing into raising kids, I was making the PBJ sandwiches with that organic stuff. You know, the jar of peanut paste which has a layer of grease on top. Evidently, healthful eating means you’re going to have to work for your food. Thanks a lot, Eve and Adam.
So I began to wrestle the all-natural peanut butter into submission. First, I tried stirring in the oil which immediately heaved itself out of the jar like a rolling ocean displaced by a giant rudder. Undeterred, I slashed my knife deep into the unwieldy bog of organic matter, coaxing some of the oil to sink and soften the clay. Alternately stabbing deep then pulling up, I started to lose my grip. The jar slipped with the force of my efforts and shot to the floor. Of course, the oily mess went everywhere.
After some cursing, I reached to salvage what was left in the jar and dug out a chunk. I transported it to the slices of bread lying open and expectant like a hungry bird on the plate. Only this was no ordinary bread. It was organic whole wheat with a few other grains thrown in for mom satisfaction. Most likely the kids would complain about the grit but I refused to acknowledge it.
I began spreading the semi-greased peanut silt. I saw that even this hearty bread possibly made by peasants from another era was going to disintegrate with the force required for spreading. Like paste, the peanut butter grabbed the bread and held on, lifting and digging holes as it went.
I surrendered, cursing my first ancestors again.‘You win,’ I muttered and I found the hidden jar of Jif. I sighed as I spread its sugary smoothness across the bread. I had tried to do right, being choosy and fighting the good fight. But the wider world of disarray and futility had beaten me. Utility won the day.

Ground Hog Day

Think about entropy and the second law of thermodynamics. Gradual decline into disorder is the house rule. Increasing disintegration runs the universe. Why do I try to sweep up the pieces and put them back together again and again?
Because of the movie starring Bill Murray in which each morning takes him in a endless time-loop of the day before:Ground Hog Day.
After freaking out at first, he begins to use his new time-prison to express the worst parts of his nature. As each new day dawns, the same scenes repeat and he is mean, lustful, and gluttonous.
He eventually works within his confines to improve himself. Piano lessons and poetry reading begin to win him the woman he wants. Shockingly, even these cosmetic changes are not enough to fix his bad character which confronts him at the end of the day.
Still, as the days roll out in monotony, our anti-hero begins to try simple kindnesses for their own sake. Caring for others has a transformative effect on him. True love wins the day and breaks the spell. Time moves on and we recognize the grace of these recurring days in which the Patience of the Universe gives him space and time to become our hero.

Mercy in the Morning

 

dawn on a beach

There are Bible verses in which Saint Peter reminds his antsy flock that the Lord is not slow in keeping His promises. With Him, one day is like a thousand years and a thousand years are like one day. God’s not slow, He’s patient, wanting us all to turn and head His direction.
We get a new chance every morning. For most of us, it will probably take a lifetime of repeats until we get a clue.
Every day the dust comes back. But so does the dawn. And I begin to see it in a different light.

“Animal House”: A chapter from my book, Lifelines

“Lifelines: Tracing My Journey in Story and Song  “

I recently published a book for those wanting to know more of my story and the story behind some of my songs! These stories trace the lifelines of God’s healing and grace in my life.

Here is an excerpt:

Animal HouseAmish farmer and mules pulling plow

I grew up in a house on Horseshoe Road in Lancaster, Pennsylvania. In the midst of Amish and Mennonite farms, that drafty rental formed the backdrop of my playing days.

An Amish family, the Kings, lived across the road, and their kids sometimes invited us to run around in the barn or whisper through the house. I’ll never forget the smell of that natural-gas-heated kitchen or the smooth, simple surfaces in that dimly lit Amish home. Or the fact that the cats and kittens lived in the barn and were only there for the mice and rats.

It made me wonder and worry at the practicality of their lives. The horses’ main purpose was pulling their black buggies. The dog that hung around the gravel lane was less a pet and more a second thought. The scraggly cat with the oozing eye would never see a veterinarian for her ills. Even the mules seemed to be just tools for fieldwork.

Dogs and Cats and Mice, Oh My!

In my house, the animals were everything. They formed the basis of love in my early years. My cats and dogs were there for touching and hugging. Had I a mule, I’d have coddled him and kept him in my room. What would the Kings have thought if they knew I had a mouse in a cage in my house? I can’t remember her name, but I can still picture her fresh litter of wriggling pink babies.

My hamsters were a staple and scores must have scurried through my childhood. Added to their naturally short lifespan came the playful but deadly tosses from cats and kids alike. I remember coming home one evening to a dark bedroom where Spooky, my Siamese, was batting something around on the bed. I flicked the light to find my Sophie mostly dead beneath his playful paw. I have no idea how the poor thing got out of her cage.

The Birds and the Bugs            green praying mantis

Many damaged birds found their way into my living room infirmary. There was a sparrow with a tumor that would have died peacefully had Spooky not followed his feline instincts when no one was watching.

I even had a pet praying mantis named Herman. Each day I fed him freshly whacked flies. With lovely circumspection, he’d examine the squashed insect I dangled before him, then, swift as a whip, those spiky forearms grabbed that fly from my fingertips. Herman ate with relish and refinement, keeping those black-dotted orbs on his dinner and me simultaneously.

A few weeks later I discovered that he was a she, as I found my lovely green friend dead in the jar with an egg sack snugly glued to her twig. Her babies by the hundreds eventually hatched, and, like Wilbur keeping his piggy promise to Charlotte, I set Herman’s brood free to carry on her legacy.

Spooky

Spooky the Siamese catSpooky was my best cat and had stayed on with me through my high school years. He made the move with us when my parents split up and we left the house on Horseshoe Road. After a few years in a mobile home, we moved again twice, and he came along. Osteoarthritis and old age had hobbled him by the time my turn for college arrived. I had to put my childhood constant to sleep and bury him in the yard a few days before saying good-bye.

I still dream about Spooky and some of my other cats. Something about the way they smelled and felt in my young, unsteady world. I could count on their warmth, their love and acceptance.

They needed me, and I needed them. 

Puppy, Puppy, Puppy

Of all the pets we had, the family dogs were beyond compare. My sister Ginny and brother David and I had three dogs across the years that we named “Puppy.”

Puppy #1 actually was a puppy that never lived to see her doggy days. I remember the accident like it was yesterday. It was a Saturday morning and David and I were playing in mud puddles in a low strip of grass that bordered Horseshoe Road.

Our backs to the macadam, we hadn’t thought to leash our wandering Puppy. Duh-blunk. I heard the thud of what could have been a brown paper grocery bag run over by a car. I straightened and spun to look. There was my puppy on the road and a shock-faced woman coming from the side of her car.

I ran screaming into the house where my dad rushed downstairs from deep sleep. He met the apologetic driver at the door in his underwear, so afraid it was one of his kids who had been hit. Realizing what had happened, Dad left to dress. A minute later, I followed as he went to see what was left of our Puppy. She was alive for a few more moments as we cried there in the middle of Horseshoe Road. My eyes still fill up when I retell the story.

Puppy #2 was the love of my life when I was 9 years old. He sang for joy every time the family returned to the house, always ecstatic that we had come back. His acceptance and availability was exactly what we all needed.  I was crushed when we had to give him away because my parents separated and we weren’t allowed to have a big dog in the trailer. Losing him seemed the saddest part of my parents’ leaving each other. 

small dog in the grass
Puppy #3

Puppy #3 came from the shelter and was small enough to fit with us in the mobile home. She lived with our family for 14 years. We walked many roads together. She also went boating, swimming, river-rafting and jogging—wherever her people were! She died long after we three kids had grown and gone away to college.

Signposts and Symbols of Healing and Grace

Who can account for the impact of these pets? Their lives seem to be signposts and symbols of a sort.

My first Puppy died early, as did my innocence, marking a time of loss and death that probably prepared me for some losses ahead.

My second Puppy could be a symbol of grief and heartache that eventually healed.

And my last Puppy lived to tell of life’s longevity, normality, and dependability even when it begins in disruption and confusion.

Spooky, like the dogs, showed me unconditional love for all of his years by my side.

Maybe I am reading too much into it. But maybe not.

Whether insects and rodents or cats and dogs, these wonderful creatures mark the cycles of life and death on a small scale, which were, for a little girl like me, exactly what I needed.

If you want to read more, find Lifelines on Amazon or an autographed copy at my store.

More like this: I Wanted My Dog Dead, Making Pretend

 

Making Pretend

performing pretending

I grew up pretending and performing.

As a little girl, I made pretend by trying on my grandmother’s old dresses. These garments from her younger days made me feel older and beautiful. Even though most of the fabric draped disproportionately on my frame and settled in piles on the floor, I would still stand on tiptoe admiring myself in the mirror, hoping to someday grow into her clothes.

In high school, I overcame adolescent insecurity by trying out for all sorts of roles too big for me: cheerleading, plays, talent shows, marching band, and other popularity contests. I got good at exuding confidence 3 sizes bigger than I felt. Making pretend on many stages, I began to grow into the parts I played.

I arrived at music college largely self-assured and full of ambition. My singing and performing talents increased with the training and the experience that came with the classes and the shows we put on.

For my new acquaintances, I also played the good little girl from Small Town, USA, who’d had a great childhood and didn’t have a care in the world. I didn’t know I was kidding myself. Thankfully, my act did not fool everyone and some new friends began to tug at the loose threads of my story.

Making Believe

I call it coming out of denial.

The costumes I had grown into began to fray in my twenties. I was bearing false witness against myself, refusing to look deep and admit to the small and broken parts of my character. For sure, the story I lived in high school was the one that kept me tethered in my fragmented family life. My dad’s alcoholism and my parents’ divorce had been a devastating part of my growing up.

New college friends helped me to recognize this as they began questioning my happy narrative. The “me” I wore on my sleeve was actually a plastic jacket everyone could see right through. Other hard truths and feelings about childhood and about myself began emerging.  I started to shed some of the dress-up and become more grown-up than I had ever been.

Keeping Up Appearances

I have been a singer, songwriter and performer for several decades and have learned to put on the person I want to be when I take the stage. There is a lot to be said for keeping up appearances when putting on a show. The audience expects competence and engagement so I make eye-contact even when my self-confidence is flagging and my voice feels weak. Sometimes the best advice is  ‘fake it ’til you make it.’

However, the pretense can get out of hand and we can lose our true selves by hiding behind ‘false selves,’ projections of what we want others to believe about us. We also grow out of some of our roles and can confidently let them go. I am now 53 years old and recognize that I must let go at last some of my personae from the past. There’s a thrill and a qualm in moving on.

Making Metaphors

My story might go something like this:

In the afternoon of my life, I decided to disband my circle of loyal ladies. I was in no rush, wanting to slowly let go of my cadre of steady companions. But go they must.

So I stood to face each one in turn. I thanked Competence for her good service, shook her hand and let her go, surprised by the weakness I felt without her by my side.

Control was the next one to step forward. She’d kept me in a lovely blind spot for many good years. But now her veil was lifted and must list to the wind, leaving me quite vulnerable. Goodbye, my dear friend.

Her closest kin, Self-control, came out of the shadows and reminded me that she was more a phantom than a friend over the years. We waved as she slipped down the road behind me.

I looked ahead, greeting Beauty and Talent, my leading ladies. They’d always preceded me on the road and now they too must say goodbye. I thanked them for their good service and moved past them, grieving the journey ahead without them. Who else is here, I asked, that I must bid farewell?

Miss Good Health and Mrs. Good Mother have been quite faithful friends. Yet even they must take their place in the line behind me. They kissed my hands with tears in their eyes and bowed into the background.

The path ahead looks desolate. A lonely place. Space has been made for a Truer Companion. I stand on tiptoe to see who might be strolling down the road towards me.

 

I have been making music with my husband Scott since we met at Berklee College of Music in 1985. Known as Out of the Grey, we spent many years in the studio and on the road, making music and raising our 3 children. Read more of my story in my book, Lifelines: Tracing My Journey in Story and Song.

Hear our latest CD, A Little Light Left

Follow me on MEDIUM.com / Christine Dente

“The Only Moment”: The Story Behind the Song

Out of the Grey CD cover

Muggy Mid-July State of Mind

Oh, my muggy mid-July state of mind!  Can’t seem to focus my thoughts on anything productive. The air is heavy on my shoulders and drapes itself in a shiny layer onto my skin. I feel stuck and can’t find the energy to make a move. My musings take a turn for the worse as my wondering and worrying settle in.  To be sure, I do like the moist warmth of summer with my bare feet on a mossy lawn, wearing shorts and t-shirts all day long. But this mid-summer ennui muddles my head. I am not bored exactly.  “Bored” is a four-letter word in our house. I am just at a still point in my experience of time and meaning. It reminds me of a another July from years gone by:

 

Was wishing my head was as clear as this midnight sky

Spread across my muggy mid-July state of mind

Was wanting my heart to be free like this summer breeze

Singing through your fingers on the guitar strings…

 

Under the Weather

In my family, we often blame bodily afflictions and bad moods on the weather patterns. Feeling head-achey today? Could be a low-pressure system coming in. Feeling lethargic or sad? Maybe all of this rain is getting to you, stirring up mildew and mold allergies. Honestlythe seasons affect the way I see the world. I would not be surprised if the sultry atmosphere literally clouds my vision and clogs up my body and soul.  Maybe mid-July is a natural time for looking back over my shoulder, wondering where spring has gone and for stretching my neck ahead, worrying about fall coming on:

 

But I’m looking back, wondering where the time we spent went

I’m looking ahead, worrying about time that hasn’t been yet

 

The Only Moment

I wrote this lyric many a mid-summer’s night ago. Like a dream, 27 years have passed since that moment in my life. Before kids and current concerns, I was young and wrestling with my experience of time and meaning. Some things never change.  Scott and I were sitting on that tiny slab of patio behind our one-bedroom apartment in Nashville. We were newlyweds and newly-moved, wondering what was to come as we worked on our music together. I remember that particular July night in which Scott was relaxed and playing his guitar while I was anxious and struggling to be in the moment.  We were about to record our first CD and make our way in the music world. As usual, my heart was off kilter, tilting backwards in wonder at the time gone by and also leaning forward in worry about what was to come.  However, I knew where I wanted my head and heart to be:

 

The only moment I can see is here as clear as your love for me

The only moment I should be living is this one we’re in, this one

 

Back-Patio Peace

In this moment in 2017, another summer swelters and Scott and I sit on the back patio of our home with so much to be grateful for. The kids and the music have come and gone in sweet succession.  I can look back and ahead with lots of evidence against speculation and fretting. Some things do change and I realize I am saturated in back-patio peace. In spite of the weather, my head and heart are clear. As I revel in the pleasure of where we are, I can treasure the time–this time– and let the music and the days take my heart where they will. I can’t live the moments all at once. The only moment in which I can live is this one we’re in, this one.

If you’d like to hear the song and the rest of the lyric, it’s on the Out of the Grey CD in iTunes. For more stories behind the songs, check out my book, Lifelines: Tracing My Journey in Story and song.

10 Tips for Better Songwriting

piano/ organ in amber glow

Whenever I hear the intro to Steely Dan’s song Ajajoy wells up in my chest.

Back when I was a student at Berklee College of Music, Steely Dan became one of my favorite bands with their perfect mix of pop and jazz.

In one songwriting class, my teacher Pat Pattison drew attention to the lyric from another song of theirs titled, “Deacon Blues”:

Learn to work the saxophone
I play just what I feel
Drink Scotch whiskey all night long
And die behind the wheel

To the young wanna-be songwriters in that classroom, that ambiguous line about dying behind the wheel was a puzzle and a revelation. Does the singer mean literally dying because he’s drinking and driving?

Or is it metaphorical for being in control all the way to the day he dies? Or both?

Steely Dan’s lyrical and harmonic complexities sparked my desire to write songs with depth. I wanted my audience to discover a new layer with every listen. For those like me who are still students of songwriting, I offer these ideas:

1) Listen before you write.

You can’t write a good song without hearing a great one first. Find some inspiring music. I like to set the bar high and get my creativity pumping with some Billy Joel or Joni Mitchell.

Maybe a song from my teenage days that connects on a hidden plane.

Joe Walsh’s “Indian Summer” gets me every time. I find myself back on our family boat, cruising the Susquehanna River near Pequea, Pennsylvania. It’s September and I’m 13 years old. The longing and loss of innocence and freedom wash over me like the wake of a waterskiing fall. I’m ready to write that song now.

2) Write every day.

Yes, schedule your muse and expect her to show up. She might be groggy. Feed her some coffee and get to work.

Let all of your jewels and your drivel out in the privacy of your writing room. You are practicing a habit. Later, you can pick and choose which ideas get to go outside and play. The rest of them will be your sad and sappy little secrets.

Consider it your job to produce Quantity.

Quality will emerge in spits and spurts. Sometimes pieces of one song actually belong to pieces of another song. Puzzle it together.

3) Spill your guts.

Pour your heart out and let emotions lead the way. If your heart and gut are connected to your song subject, you’ll be able to go with the flow for a long time. Stay slippery and don’t let the inspiration dry up before you’ve caught and landed all of your choicest ideas. I have a few exercises for doing just that in my Singer/Songwriter Handbook.

4) Start with a title.

Have you written some pithy lines and ideas in a notebook somewhere?

Do you have a few titles that make you want to sing?

Start with one of these and see where they lead.

“He is Not Silent” is one of my songs inspired by a book titled, He Is There and He Is Not Silent by Francis Schaeffer. I got all fired up while reading so I headed straight for my piano, pencil in hand. Borrowing ideas like “we are not quiet, we are not listening,” I came up with the chorus first. My creative burst followed closely on the heels of an inspiring title. Catch any thread you can and don’t let go!

5) Tell the truth.

Honesty is appealing, like the song with that title by Billy Joel. We’re all human and we love vulnerability in others (even though we hate to reveal it in ourselves). Show some brokenness, a chink in your armor. The Chainsmokers have a cool song called “Honest.” They sing the truth about life on the road and on the radio. Their candor draws me in to their artistry.

Read my short blog here about vulnerability in songwriting and recording new music.

6) Play with plagiarism.

What am I saying? Plagiarism is a dirty word. Don’t do it!                                                                                                             But, hey, we are all imitators. None of us comes up with a completely new song idea.

All creativity is derivative except the original Creator’s stuff. Everybody copies His work. So celebrate your influences.

Borrow–don’t steal– a few ideas from a good song you like. Then get to work making it your own and making sure there’s no direct copying.You know what happens when you infringe on a copyright, right? Write!

7) Be relatable and relevant.

No one gets a pass in this life. Hard is part of living. If you’re like me and you struggle with faith in God every day, then say so.

If you want to write a song about living with pain, go for it, but I might beat you to it.

If you want to sing about how staying in love is not easy then write that song. I did just that in “To Keep Love Alive.”

Teens love Taylor Swift because her music is relatable and relevant to their lives, like in the song “We Are Never Ever Getting Back Together.”

8) Run with scissors.

Take some risks. But only if you’ve got a point.

Controversy for the sake of drawing attention and outrage is not legitimate artistic expression.

However, there will always be blurred lines. From Randy Newman’s “Short People” to Madonna’s “Papa, Don’t Preach,”artists often try to shine a light on an important topic. Certainly, we write at our own risk. Everyone in the crowd won’t be jumping up and down. But some may be getting the message for a change.

9) Make every word count.

Should I use “the” or “and” in this line? It is a solid question when writing a pop song. The nuance of such little words affects the song’s meaning.

Also, pop music doesn’t give you time to spread your ideas out. They’ve got to be short, sweet, and carry a lot of meaning. Like poetry, each word can have a well of eloquence beneath it if you take the time to dig in.

10) Hunt and Kill your throwaway lines.

Admit it, you’ve held on for dear life to some crappy lyrics.

You wrote them on the fly and they fit.

  • They came so easy.
  • They made a great rhyme.
  • They’re so clever you can’t bear to snuff them out.

But they’re so predictable, so done already. Get more creative!

Much of modern worship music, for example, has lots of cliche´and little imagination. Many mainstream pop songs, too. Boring.

They can be placeholders but eventually erase you must. Hire someone or cover your eyes and take a stab.

Kill those darlings because you know they’re just no good.

11) Bonus Tip: Be an Expanding HuMan.

Learn to work in a new way, try something you’ve never done in your songwriting.

  • Sit at the piano instead of with a guitar. 
  • Find a co-writer.
  • Learn a few new chords, would ya?

You are not gazing through the glass anymore.You’ve bought the dream.

Remember, songwriting is the privilege of sharing the things we know and love with those of our kind.

PS If you want more Tips and Tricks and Techniques and lots of exercises to improve your songwriting (and singing), check out my book: The Singer and the Songwriter Handbook and Workbook on Amazon or my store.

PPS If you want other posts like these, sign up for my newsletter on the right side of this page and I’ll let you know when my next blog posts. CHEERS!

Bubble Girl: The Story Behind the Song

painting of girl in a water drop blowing bubbles and hair swooping upward

Story Behind the Song

The “Bubble Girl” song is from the latest Out of the Grey album titled, A Little Light Left, by Christine and Scott Dente.

Click here to see the lyrics or view them at the bottom of this page.

Bubble Girl #1

This girl is an amalgam of sorts. Parts of our 2 daughters and our 6 nieces combine to form the lead character of this song. Chloe, our youngest, was the first inspiration for this idea. When our oldest daughter, Carina, was 16 years old and thinking about college, she, Chloe and I visited a few universities within driving distance of our home in Nashville, Tennessee. One of these was a small Christian college only 100 miles away.

The lovely campus impressed us as did the friendly professors and students. But something was bothering Chloe, then only 14. Something about the atmosphere of the place. “It feels like a bubble,” she said. She was referring to the monochromatic buildings and rooms which seemed a bit stuffy and a little too perfect. Also, the combination of the isolated campus and the compulsory chapel attendance added to the constricted atmosphere.

Later, while driving home, Chloe added that the student body did not look very diverse. She did not think this college would give Carina a chance to interact with a variety of people. I was surprised at how much she had absorbed in such a short visit. Yet Chloe did and does have an acute sensitivity to such things. Carina ended up at a different Christian college after graduation and Chloe, two years later, went to a medium-sized state university. Even there she felt the “bubble” at times and often left campus to meet her need for diversity by interacting with little kids and older people.

Bubble Girl #2

girl with purple hair blowing bubbles falling downward in a blue water drop as her hair swoops up
painting by Magdalena Youmans

My second inspiration to write this song came from a painting by my niece, Maggie. She is my sister’s youngest daughter and her painting, as you can see on the right, depicts a beautiful girl encased in a blue drop of water. Her hair is sweeping upward as she sinks downward, blowing bubbles as she goes.

When I first saw this watercolor, I tried to imagine how teenage girls must feel at times. The girl in the painting evoked isolation and loneliness, like someone cut off from the bigger world. To me, she was a young girl wondering what life held for her. Like a drop in the pond or a frog on a frond, this girl in the teardrop, blowing bubbles with her eyes closed, might be imagining a bigger world.

Maggie’s painting was a poignant image for me although I may have read more into it than she intended. In fact, “Bubble Girl” is my title, not hers.

Bubble Girl #3

Some of my other nieces seemed to be in a hurry to grow up, graduate and get out of the house. I remember myself as a teenager, always looking for what was next instead of enjoying the here and now of being a kid.

It seemed to me these young ladies wanted to leave home before knowing what was on the other side of the gate. I saw a rocky place ahead. Did they see a sweet escape instead?

I wanted to slow them down, tell them that growing up comes soon enough. Unfortunately, most of us don’t have ears to hear beyond the moment in which we are living. Especially teenagers. How can she know what she don’t know? She’s gonna find what she’s gonna find.

Bubble Girl #4

Another perspective for the song came from the fact that all of these girls were mostly educated at home. Homeschooling parents often operate from a protective and — dare I say — controlling nature. I will speak for myself: I didn’t want my kids to grow up too quickly and get stained by the world any sooner than necessary. Like most parents, homeschooler or otherwise, I wanted to keep them safe and delay the inevitable crashing on the rocks. (Also, I think education is about so much more than most schools are offering these days but that’s another story.)

On the other hand, the stigma of being different has affected my kids and my sister’s and brother’s kids in some negative ways. In writing Bubble Girl, I attempted to see the many dimensions of the bubble beyond my limited perspective. Those girls are mostly grown up now and are making their splashes in the world on many different shores. If I had to live it all again with them, I would definitely change a few things. If I could cure loneliness and alienation and help in the search for significance and connection, I would do it! I But at the end of the day, I would still be saying, “take your time, take your time.”

Bubble Girl by Christine and Scott Dente

Bubble girl doesn’t want to be here no more
Wants to make her splash on a distant shore
Like a drop in the pond
Just a frog on a frond
Bubble Girl wants a bigger world

 

And what she don’t know, she don’t know
What she’s gonna find, she’s gonna find
tell her for me to take her time, take her time

 

Such a girl can’t hear what we have to say
Got water in her ears, eyes a dreamy haze
like a tear on her cheek
Lonely stone in the creek
Bubble Girl wants to break away

 

What she don’t know, she don’t know
What she’s gonna find, she’s gonna find
tell her for me to take her time, take her time

 

we see a sweet cocoon
she sees herself marooned
we see a rocky place ahead
she sees a sweet escape instead

 

She don’t know what she don’t know
She’s gonna find what she’s gonna find
tell her for me

 

What she don’t know, cos she don’t know
What she’s gonna find, she’s gonna find
tell her for me, ask her for me
to take her time, take her time

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